Museo nazionale di Castel Sant'Angelo Transfiguration (15101512).
He was active during the.
Metropolitan Museum of Art, New York Saint Lucy Before the Judge (1532).
Sort by, traveler Ranked, highest rated hotels on TripAdvisor, based on traveler reviews.Metropolitan Museum of Art, New York City Assumption (1550).Pala Martinengo di San Bartolommeo e Stefano.References edit Sources edit Benezit.Lorenzo Lotto himself left many letters and a detailed notebook ( Libro di spese diverse, 15381556 giving insight to his life and work.Biography edit, born in, venice, he worked in, treviso (15031506 in the.Brother Gregorio Belo of Vicenza,1547, Metropolitan Museum of Art Madonna with Child,.Since then, many monographs and several exhibitions have been dedicated to Lorenzo Lotto, such as the exhibition in Venice in 1953 and one in the National Gallery of Art, Washington, USA, in 1998.Scottish National Gallery, Edinburgh, United Kingdom Asolo Altarpiece (1506).As he became a respected painter, he came to the attention of Bramante, the papal architect, who was passing through Loreto (a pilgrimage site near Recanati ).In this he was continuing the tradition begun by Antonello da Messina and a good example would be his Portrait of a Young Man with a Book (now in the Accademia, Venice).His influence was felt by many painters, including probably Giovanni Busi, and Ercole Ramazzani, born in Arcevia and active near Jesi.Louvre, Paris Pietà (15381545).In Treviso, a prospering town within the domain of the republic of Venice, he came under the patronage of bishop Bernardo de' Rossi.
In 1532 he went to Treviso.
Isbn Pierluigi De Vecchi ed Elda Cerchiari, I tempi dellarte, volume 2, Bompiani, Milano 1999.
Accademia Carrara, Bergamo Madonna and Child with Saint Roch and Saint Sebastian (c.His next works are mostly wall paintings: in 1524 he painted a series of frescoes with the lives of saints (such as Saint Barbara ) in the Suardi chapel in Trescore machine sous vide semi pro occasion (near Bergamo).Treviso (15031506) edit Lotto soon left Venice, because there the competition for a young painter would have been too great, with established names such as Giorgione, Palma the Elder and certainly with Titian.During that time he decorated the basilica of Santa Maria and painted a Presentation in the Temple for the Palazzo Apostolico in Loreto.Thanks to the work of the art historian Bernard Berenson, Lotto was rediscovered at the end of the 19th century.Louvre, Paris Mystic Marriage of Saint Catherine (150608 Alte Pinakothek, Munich Madonna with Child between Sts.Church of San Francesco alle Scale, Ancona The Crossbowman (1551).National Gallery of Art, Washington Madonna with Child and Saints (c.Pinacoteca di Brera, Milan Portrait of a Man (c.1545) Pinacoteca di Brera, Milan Portrait of a Young Man with a Book (c.1546) Pinacoteca del Castello Sforzesco, Milan Madonna and four Saints (1546) Church of San Giacomo dallOrio, Venice Saint Jerome in Penitence (1546).As he grew older his style changed, perhaps evolving, from a detached Giorgionesque classicism, to a more vibrant dramatic setpiece, more reminiscent of his contemporary from Parma, Correggio.
In the details he depicts scenes of each saint's life, such as in the fresco Martyrdom.
John the Baptist (c.